ha! via defaced

ha!

via defaced

Frank Gaard.

Frank Gaard.

Spotted in a back stairwell at the Walker Art Center.

Spotted in a back stairwell at the Walker Art Center.

The Police Brutality Coloring Book!

The Police Brutality Coloring Book!

albertonomo: Street Type is the best.

albertonomo:

Street Type is the best.

(via 1l1k3)

“7 Minutes in Heaven,” with the Insane Clown Posse

“7 Minutes in Heaven,” with the Insane Clown Posse

Rock on.

Rock on.

Christophe Szpajdel, the “Dark Lord of Logos,” discusses the black metal logo he made for the Walker Art Center.

seedy: Jacques Derrida Essay Collection

c-d:

Part 1

Part 2

Part 3

Part 4

Jacques Derrida Essay Collection 1

Derrida - A Certain Impossible Possibility of Saying the Event

Derrida - A Letter to Peter Eisenman
Derrida - Adieu (CI)
Derrida - Adieu (PT)
Derrida - All Ears - Nietzsche’s Otobiography
Derrida - An Idea…

3rdofmay: The art: Ed Ruscha, from “Thirtyfour Parking Lots in Los Angeles,” 1967, also as a set of gelatin silver prints Ruscha made in 1999. The news: “Taking Parking Lots Seriously as Public Spaces,” by Michael Kimmelman for the New York Times. The source: In the collection of many institutions, including the Museum of Modern Art, New York. The Walker Art Center, Minneapolis, has a complete set of the silver gelatin prints.

3rdofmay:

The art: Ed Ruscha, from “Thirtyfour Parking Lots in Los Angeles,” 1967, also as a set of gelatin silver prints Ruscha made in 1999.

The news: “Taking Parking Lots Seriously as Public Spaces,” by Michael Kimmelman for the New York Times.

The source: In the collection of many institutions, including the Museum of Modern Art, New York. The Walker Art Center, Minneapolis, has a complete set of the silver gelatin prints.

Striped tree.

Striped tree.